Néle Azevedo, Brazilian
Minimum Monument, Rome, 2020
Since 2005, the “Minimum Monument” collection has appeared in various locations across South America and Europe. Azevedo carves ice into hundreds of 20-centimeter-tall human figures and arranges them in public places. The original intention of this artwork was to critique public monuments and recognize people who pass on anonymously and without public recognition. However, in recent years Azevedo’s ice sculptures have acquired a new meaning: climate change impacts on humans and the environment. The melting of these ice figures reflects the melting of glaciers that contribute to sea level rise. It also shows the impermanence of life on earth if we do not unite and take action to prevent further environmental destruction. Label by Bayleigh Albert